סיכום 1. ישראל מייחסת חשיבות מיוחדת לספרות ערבית בכלל, ולספרות של נגיב מחפוז בפרט, שכן היא מייצגת מקור חשוב לתובנות לגבי אופי החברה הערבית בכלל והחברה המצרית בפרט. 2. ישראל ייחסה חשיבות מיוחדת לנגיב מחפוז בשל יצירתו הפורייה ומעמדו בזירה הספרותית הבינלאומית והערבית כאחד, בנוסף לעמדותיו האישיות כלפי ישראל לפני ואחרי מלחמת אוקטובר, עמדות שבגינן ספג ביקורת ואף נאסר עליו לכתוב. 3. תרגום "אל-סוכריה" של סמי מיכאיל לא היה תרגום מדויק, שכן הוא הכיל שגיאות רבות שפגעו במשמעות המיועדת של הרומן. הוא לא תרגם את שם הרומן כפי שנגיב מחפוז הזכיר אותו, למרות שזהו שם של מקום בקהיר העתיקה. לא רק זאת, אלא שכאשר "אל-סוכריה" מופיע בתוך הרומן, הוא תורגם כ"אל-סוכריה" ולא כ"אל-סוכריה". הוא גם תרגם שמות של אנשים ומקומות מסוימים לעברית, תוך עיוות המשמעות. 4- מיכאיל לא הקפיד על דיוק בתרגום הזמן. ברומן שלו, מיכאיל מתייחס לתקופה מסוימת, בעוד שסמי מיכאיל משנה את הזמן הזה לאחר. הוא גם טעה בתרגום היחיד מרבים. 5- סמי מיכאיל לא שם לב לפיסוק ולביטויים בסוגריים בתרגומו, מה שגרם לשגיאות בתרגום. 6- המתרגם השמיט כמה מילים ערביות בתרגומו, מה שהשפיע על המשמעות. הוא גם שינה את המשמעות של כמה מילים בתרגומו, תוך סתירה למשמעותו של נגיב מחפוז.
تم اكمال الملاخص
The Beggar (1965) is a story of isolation and depression which is written by the Egyptian novelist Naguib Mahfouz who is considered the father of Arabic Literature in the modern era. Specifically, he refers in his great novel called The Beggar that the man unable to achieve psychological revival after Nasser’s revolution, the man sacrificed his own job and his family for a desire that increases his feelings of alienation and depression which leads him to an emotional outcry against the indifferent. The main aim of the study highlights the concept of existential dilemma as a philosophical problem and personality crisis by the protagonist of The Beggar novel, Omer Al-Hamzawi who had acc
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denying them the right to life, liberty, and the pursuit of happiness guaranteed to all
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There is a mutual relationship between the form of a text and its meaning so as separating these two or devaluating the role of one of them leads to the absence of the value therein. Thus, a translation is important as to how it relates the details of a text. That is, the text has special features which go beyond form, and these set out its distinctiveness. Here, we tackle Saleh al-Jafari's Arabic translation of "Rubbayat al-Khayyam" of Naysapour descriptively and analytically by depending on extracts from the original text. This translation is evaluated on the basis of Spanish critic Maria Carmen Valero Garces. Herein, we discuss the effectiveness of this theory in the criticism of literary texts. It has been concluded that al-Jaf
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