I obtained my master's degree in 2006 and was appointed at the University of Baghdad, Central Library in 2007 in the Audio-Visual Materials Unit. I then took over the responsibility of the Periodicals Unit in 2010 and moved to the College of Islamic Sciences in 2012. I then obtained my PhD in the field of Philosophy of Aesthetics of Cinematic and Television Arts. I held the position of Rapporteur of the Department of Islamic Philosophy from 2015 to 2019 and I currently work as a lecturer in the same department.
Skills in computer programs and applications
Head of the Periodicals Unit at the Central Library, University of Baghdad 2010 Curator of the Department of Islamic Philosophy at the College of Islamic Sciences 2015-2019
Active member of the Artists Syndicate since 1993 Member of the Photographers Syndicate since 2002
Writing in the fields of cinema, television and media arts, as well as topics related to social issues, literature and psychology.
MA in Film and Television Arts 2006 PhD in Film and Television Arts 2015
Philosophy of Aesthetics Greek Philosophy Ethical Philosophy Study Methods and Applications
Supervising fourth-year undergraduate students’ research
The light-based life in the universe, including the human derived concepts and meanings of the fear of darkness and evil, comfort and goodness of light, became constitute bilateral haunted man to this day in various concepts of life.Therefore reflect the light form artistic aesthetic in visual arts such arts Fine Photography and the other until the emergence of art cinema, as the use of lighting in cinema has produced high-energy in the composition of its values expressive and symbolic, where it became dark and light are the space visually moving the vehicles media kit for many within the work structure artwork. The research is divided into five chapters, the first chapter (the methodological framework) that included an introduction the
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The personal drama in particular, and one of the key elements underlying the dramatic structure to convey ideas and visions presented by the author when writing the text of the dramatic fall after that on the way out the submission form that suits the proposals of the text and processors directorial would push the wheel of dramatic structure to the front. So take the maker of the artwork (writer) undertook the transfer of those events and personalities in art presumed sometimes real and sometimes, in order to enrich the art inspired by the human reality through the ages, and full of its themes and ideas that led to the development experiences of peoples experiences of living. Therefore, we find it important to research in the characters
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The research dealt with the study of the element of time in the cinematic language and the role it plays in creating the aesthetic meanings in the documentary film by means of the various structural constructions with which time is constructed. The research included the introduction and the problem of research, which was represented by the following question: (Did the documentary film adopt the values of time formats in the fiction film or it created for itself special linguistic formulations and models which achieve the aesthetic concept?). It also included the importance of research, the need for it and its goal in addition to clarifying the limits of research.The theoretical framework included three sections the first of which is the
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