The concept of decolonization of trauma has intrigued researchers for years due to its prolonged effect on personal and cultural levels. The process of intellectual decolonization involves defensive survival mechanisms, such as cultural rituals using traditional practices, nostalgic dialogues that idealize memories and recollections, and conversations about identity to navigate postcolonial trauma displacement. Symbolic connections evoke strong emotional responses, bridging the gap between the characters‘ physical dislocation and their imaginary homeland. Cocooning identity represents a space where a multidimensional self emerges—one that holds the victim of trauma, the survivor who endures, and the narrator, who constructs an idealized self. This process allows the individual to celebrate the deconstruction and reconstruction of a more ethical and critical way to assess his reaffirmed identity and his sense of belongingness. It provides a framework that enables the traumatized person to engage with others without losing his own cultural identity, while also embracing a revised and transformed identity—one that is dynamic and not fixed. The study deals with the mental praxis results from disruptive experiences of trauma which led the individual to emotional disturbance, shame, a sense of guilt, fragmentation, and flashbacks. It aims to explore the process of intellectual decolonization, which involves deconstructing all kinds of hegemonic colonial authority and dominance. It advocates for a thorough and clear understanding of trauma, specifically by examining the concept of decolonizing trauma as explored by post-colonial playwrights from various countries. An examination will be conducted to understand the fundamental nature of both the suffering and the process of healing by exploring the particular traumas that motivate storytelling. The study aims to explore how the characters successfully protect their identity in order to III facilitate a healthy recovery from post traumatic stress disorder resulting from their past traumatic experiences. The emphasis is on the theoretical frameworks that will be employed to analyze the chosen plays. The first chapter is an introduction exploring post-colonialism as a theory that focuses on identity, specifically trauma identity theories and research. Furthermore, it provides a historical framework for the cultural environment in which the selected literary writings are situated. The second chapter focuses on the USA's "War on Terrorism" in Iraq and the traumatic consequences of media deception and the sectarian war on the social fabric of Iraqi society. This is explored through two Iraqi playwrights: Rasha Fadhil (1975- ) in Ishtar in Baghdad (2003) and the Iraqi-American playwright; Heather Raffo (1970- )in Noura (2018). The third chapter examines the numerous traumas tackled in the Palestinian Theatre. It focuses on Tennis in Nablus (2010) by Ismail Khalidi (1982- ), a Palestinian American playwright. It also examines And here I am (2017) by Hassan Abdulrazzak (1973- ), an Iraqi American writer. The fourth chapter focuses on the trauma experienced by Arab immigrants in Europe and their struggle with sentiments of indecency and a sense of not quite fitting into either culture, as depicted in the works of two Egyptian playwrights. It delves into Ten Acrobats in an Amazing Leap of Faith (2006) by Yussef El Guindi (1960- ). Then it examines Sister Radio (2020) by Sara Shaarawi (1989- ), a Scotland-based Cairo-born playwright. The conclusion sums up the findings of the study
In the city, building space could transform to be as place, because architecture does not include only traditional values such as housing, human protection, stability, etc, but could carry other dimensions beyond the housing or building occupancy or develop urban design. Rivers had vision in motion as a way to show dynamic processes in its flowing slowly, which are simply measured in time and the life of citizens. The research consider the river path in traditional cities as Alley connecting the spaces of the city ... old Baghdad was characterized by this property and it is look like Venice in the past, while traditional European cities were able to preserve this property till now, and capable to take transformation of the city with deve
... Show Moreلخلاصة تشغل قضايا الهوية محور اهتمام الكثير من الباحثين والدارسين في بنية المجتمعات ومستقبل الدول, وفي كثير من الدراسات التي كتبها هؤلاء كان هناك ميل نحو دراسة الهوية وعلاقتها بحركة الدول تقدما وتراجعا ,فهناك من عزا تقدم دولة ما إلى نجاح نخبها السياسية في صناعة هوية جامعة لحالة التنوع الذي يميز مجتمعها, ويمكن ان تشير الى الولايات المتحدة الامريكية كأنموذج للنجاح في هذا الاطار.وهناك من ارجع
... Show MoreThe book gives details about the healing power of love
This research deals with the study of the identity lost in the novel (handcuffs of paper) by Writer (Kuwaiti / Iraqi ) Yousif Hadi Mays.This is because of The strange subject presented by the writer ,Kuwait has chosen a sbace for his novel and chose apurely Kuwaiti theme. Hence the importance of the novel, as it came to the subject of identity completely dntdiffere from what we wwrote after the fall off the regime (2003), Which is related to the last coming from outside the country, which remained oscillataing between his mother,s identity where language, religion and history and the identity of the other by virtue and dazzling, and integration and here con not belong to either party. This is a violation of the taboos of
... Show MoreThe identity of the cultural identity of the party (the ego and the other) during a series of questions subject to the transformations of history and the process of culture, the search of identity and its characteristics within the novel discourse calls to address the cultural impact communication discourse aims to reveal the functional and intellectual benefits that contributed to the formation of cultural identity, and stand at the most important manifestations And the secretions that mimic a world remains part of it present in the imagination of the producer of the text is moving in accordance with the holistic perception of the world embedded between the lines of the trial.The question of identity as an intellectual dimension in orde
... Show MoreNominal ellipsis is a linguistic phenomenon found in English and Arabic .It is
based on leaving out a part of a nominal construction or more for the sake of good
style , compactness and connectedness .This phenomenon is found in the language of
the Glorious Qur’an .The study in hand is concerned with how translators handle
translating Qur’anic verses which contain ellipted nouns , i ,e. , to what extent the
translated Qur’anic verses are close to the original ones , and to what extent their
translations serve understanding the meanings of the glorious verses while at the
same time maintaining their beauty in style. The study aims at shedding light on
nominal ellipsis in English and Arabic .The study undertak
PDBN Rashid, International Journal of Development in Social Sciences and Humanities, 2023
This paper presents a stylistic analysis of two poems of well-known poets of the English literature, namely; E.E. Cummings and the Irish noble laureate Seamus Heaney. The researcher's attempt here is to approach Cummings’s poem “maggie and milly and molly and may” and Heaney’s “A Kite for Aibhín” from the stylistics’ point of view. The paper also analyzes the poems using the tools of linguistics with a view to make their meaning explicit.
It is worth noting that stylistics as a scientific discipline is really beneficial to those who are teaching and studyi
... Show MoreThis research discusses the subject of identity in the urban environment as it attempts to answer a number of questions that come with the concept of identity. The first of these questions: What is identity? Can a definition or conceptual framework be developed for identity? What about individual, collective, cultural, ethnic, political and regional identity? Is there a definition of identity in the urban environment in particular? If there is a definition of identity, what about social mobility responsible for social change? How can we see identity through this kinetics? Can we assume that identity in the urban environment has a variable structure or is of variable shape with a more stable structure? Can we determine the spatial-tempora
... Show MoreThis paper deals with the ideological positioning of the English poet John Donne in a selected poems of his i.e Holy Sonnet X, as regards the theme of death found therein. The researchers adopt an emerging branch of stylistics, called Critical Stylistics, as proposed by Jeffries (2010) in order to uncover the ideologies of the author regarding the topic concerned and how linguistic choices are used to slant ideas. The model is comprised of ten tools of analysis which, upon being applied to the selected data, have shown how the poet exploits language resources in order to pass his ideology and influence his readers. In this paper, the workings of only one tool are presented as applied to a certain portion of the data.