مقدمة (Introduction) الحيود هو احد الظواهر المتعلقة بالطبيعة الموجية للضوء ، تحدث عند اصطدام موجة ضوئية )أو صوتية( بعائق وتوصف بانها انحناء شديد الوضوح للموجات حول عوائق صغيرة وانتشار الموجات من خلال فتحات صغيرة . وتحدث ظاهرة الحيود أيضا مع الجسيمات الأولية مثل الإلكترون والنيوترون حيث أن الجسيمات الأولية لديها خصائص موجية، فحيود الضوء يحدث أيضا مع المادة ويمكن أن يُدرس طبقاً لميكانيكا الكم . فالحيود هو انحراف ال

ملخـــص البحــــث

لما كانت العلة الركن الأساس في موضوع القياس, لذا فإنها من الأهمية بمكان مايجعل التركيز عليها في موضوع البحث خلال دراسته, ثم لما كان الخارج من السبيلين وما يتعلق به من أحكام, ما ينقض الوضوء منه وما لا ينقضه, وما يوجب الغسل منه وما لا يوجبه, ثم الطاهر منه والنجس من المسائل التي تشغل تفكير النساء ويكثر السؤال عنها, ارتأيت أن أخص هذه المسألة ببحث صغير, أعرض فيه للعلة القاصرة, واختلاف

The research consists of four chapters, and the research aims to uncover the melodic and rhythmic aspects of the Iraqi Sufi chanting (Thalilah as a model) as one of the models of Sufi chanting in Iraq that is held at the tomb of Sheikh "Abdul Qadir Al-Kilani". As for the temporal limit of the research, it is from 2011 to 2012.
The researcher selected two samples for the research sample:
1. Separation of the Thalilah of the Prophet Al Adnani
2. Separate the chanting of prayers
According to the musical analysis, the researcher prepared the search tool, which consisted of eight paragraphs, for a special standard system in line with the research objectives. The validity and reliability of the instrument was verified by experts to

بسم الله الرحمن الرحيم

مرّ المصطلح النحوي بمراحل حتى أصبح مصطلحا ثابتا يحمل المفاهيم النحوية ، ويتخذ وسيلة من وسائل البحث المنظم ، ويمثل كتاب الايضاح في علل النحو لأبي القاسم الزجّاجي (ت 337هـ ) الذي نتناوله بالبحث عن الجوانب المصطلحية مرحلة من البحث النحوي ، ترسّخت فيه الأصول النحويّة وانمازت الأبواب ، فضلاُ عن المصطلح الذي بدأ مستقراُ في أغلب استعمالاته العلميّة.

The subject of the act and its transformations in the presentation is of great importance at the level of study, analysis and interpretation, and through that the researcher adopted the following title (The Dramatic Act and Its Transformations in the Iraqi Theatrical Show). The play of Black Astronomy was chosen as a sample for analysis, and the aim of the research came in order to achieve a special knowledge of the extent of the transformation that occurred between the dramatic structure of the act and theatrical embodiment and its multiple elements of operation in the Iraqi theatrical shows. It was limited to the show of the Iraqi theater in the year (2020) and included the theoretical framework that accommodated three sections. As for

This research aimed to identify the level of English language knowledge among the students of scientific colleges and the preparatory year (scholarship students) at the Islamic University of Madinah. The research was limited to identifying students at the meanings of vocabulary and grammar of the English language. The researcher used a descriptive approach to achieve study goals. It applied three tools to collect information from the targeted sample; first, a test for determining the level of students in the achievement of vocabulary which applied to (69) students. Second, a test to determine the level of students in the English language grammar, (73) students took part. Third, a survey to get students’ opinions about the program of te

The research tagged with the controversy of aesthetic interpretation between the sculptures and their titles in contemporary Iraqi sculpture, “Exhibition of Experiments in Contemporary Iraqi Sculpture as a Model”, and it is one of the new research that contributes to strengthening the critical path in the Iraqi fine movement, as the first chapter dealt with the research problem stemming from the question: What is the impact of the aesthetic hermeneutic controversy between the title and the title in contemporary Iraqi sculpture?, and do the titles of the sculptural works help to understand or enhance their contents?, The research objective included: To identify the controversy of the aesthetic interpretation of sculptures and their ti

Summary:

This research revolves around the probing of those whom Ibn Hajar said, "He has a vision", its significance, and the ruling on the connection and transmission to it.  The number of narrators reached fifty-one (51) narrators, among whom it was said, “He has a vision, whether it is definite or possibly. Some of them had a vision and companionship.”They are eleven (11) narrators, And among them were those who had visions and had no company, and their number was twenty-one (21) narrators, and among them were those who had no vision and nor company, and their number is nineteen (19) narrators.
As a result , whoever said about him “has a vision” and has companions, his hadith is connected, even i