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Heated and silent adoration in the novel of " Desert of Love" by Francois Mauriac: Passions dévorantes et cachées dans Le Désert de lʼAmour de François Mauriac
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  François Mauriac’s novel The Desert of Love (1949) puts the reader before an experienced sociologist who is skillfully able to analyze the most mysterious human emotions and feelings.  The writer's starting point is that people are similar in feelings but different in behavior. He severely criticized the aristocratic class and uncovered its defects and faults.

         The novelist presents Courege's family as an example of the aristocratic class. It is a family torn by hatred, selfishness and disagreements due to absence of intimacy and love. This poisoned environment pushes the father and his son, Raymond, to search away for emotional ventures and banned relations to satiate their emotional thirst.

         Unfortunately, they fall in deep love with the same woman unintentionally. She does not satisfy their burning passion as she leaves them with much thirst for love. They become like getting out of frying pan into the fire.

          Finally, Mauriac figures out the reasons of all problems in the absence of love and passion which represent the key for welfare and happiness. The writer reveals his stylistic skill and unparalleled literary ability in describing the whole atmosphere which leaves the reader amused and captivated in passion battle , a battle with no winner.

The paper is divided into two basic topics:
1-Dryness of family relations 
2-Emotional ventures and illegal relations
The research paper depends on objective analytic approach via topic unity analysis .

Résumé

        Le Désert de L’Amour  met le lecteur en face d’un sociologue chevronné du début du XX ème siècle, un sociologue apte à analyser expertement les sensations et les émotions humaines les plus subtiles et les plus fugitives .

         François Mauriac part d’un principe psychologique de base dans ses études, c’est que les gens convergent dans les pensées et les sentiments, mais ils divergent dans leurs manières d’agir .

        Son domaine favorable était la société et surtout la classe bourgeoise qu’il fouettait sans merci pour la mettre à nu avec tous ses torts et ses travers.

        Mauriac choisit la famille Courrèges comme échantillon de cette classe sociale. Il s’agit d’une famille déchiquetée par l’égoïsme, la haine et les malentendus permanents. Ce climat toxique et malsain pousse obligatoirement le père Courrèges et son fils Raymond à échapper à la famille pour chercher des aventures amoureuses et des  relations extra conjugales afin d’assouvir leur soif d’amour.

        Par malheur, ils tombent amoureux de la même femme sans le savoir et sans jamais l’avouer. Malgré leur passion dévorante pour cette femme charmante, et à l’encontre de toute attente, elle n’a fait qu’élargir leur désert et augmenter son aridité; les deux amants sont restés sur leur soif pareils à celui qui , pour échapper à la chaleur, se protège par le feu.

       Tout compte fait, François Mauriac met le doigt sur la véritable plaie de tous ces problèmes en l’absence de l’amour. L’amour seul est la clé et le remède efficace qui peut transformer les déserts en jardins verdoyants.

         Dans son roman, l’auteur fait preuve d’ingéniosité dans le style,  et de capacité littéraire inouïe qui berce le lecteur et le laisse emporter par son imagination dans une bataille amoureuse sans vainqueur .

Cette recherche est  divisée en deux thèmes principaux :
1-Sécheresse des relations familiales .
2-Aventures amoureuses et relations extraconjugales .
Dans cette étude, nous avons recours à la méthode thématique, explicative et analytique .

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Tue Mar 15 2022
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The aesthetic dimension in popular subjects is one of the important topics in the history and culture of peoples, as it is the vessel from which their faith, traditions, original values, language, ideas, practices and way of life are derived, which expresses their culture and national identity, and it is the bridge of communication between generations throughout the ages.

It is one of the main pillars in the process of development and development, and popular subjects have special images related to real daily life, and they are the best source for man to narrate through him in his portrayal of daily life in general, and for the artist in particular, who is part of this daily life and its vocabulary, as he interacts with it so that

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Wed Jun 30 2021
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This research aims to find out the phonemic, dialect and semantic ailments that were interrogated by the book of the parsing of thirty surahs of the Noble Qur’an by Ibn Khalawiyeh, by examining some phonemic phenomena of Qur’anic expressions and their explanatory relationships that resulted in their occurrence, such as substitution and compression, as the sounds in a word are affected by one another, especially during performance and composition. This influence and influence is the tendency of the human being to the law of ease, facilitation, and the reduction of muscular effort in speech often, all for the purpose of obtaining phonemic harmony for the compound letters; To facilitate pronunciation; And get rid of the muscular effort

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Sun Feb 03 2019
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Wed May 17 2023
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Inspired by poets under the Zangid and Ayyubid states
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The poetic text, being an artistic product, is achieved during the moment of inspiration. However, this inspiration does not come from a vacuum. Rather, it needs a good environment capable of pushing the poetic text to the surface after its formation in the poet's mind, with the images and ideas it contains, expressed in his own language and style. Distinguished, and we must not overlook that language is not just words and meanings, but rather those feelings and emotions that are the essence of creativity (()), including musical, sentimental and imaginative aspects with colors of suggestion and symbols (()), because the poetic language is distinguished from others in that it (Symbols for psychological states are the substance of thought)

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Mon Nov 10 2014
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Onomatopoeia has always been a functional poetic device which enjoys a high sound significance in the poetry of many languages. In modern English and Arabic poetry alike, it proves to be vital and useful at different levels: musical, thematic and at the level of meaning. Still, the cultural difference looms large over the ways it is employed by the poets of each. The present paper investigates the employment of onomatopoeia in the poetry of D. H. Lawrence (1885-1930) and Badr Shakir al-Sayyab (1926-1964) who are chosen due to the importance they enjoy in modern English and Arabic poetry and the richness of their poems in onomatopoeias. The conclusions reached at are in a sense related to cultural differences which govern the use of onomato

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Fri Feb 01 2019
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