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The Exploitation of Carmen Valero Garces' Theory in the Criticism of Literary Texts: Saleh al-Jafari's Arabic Translation of "Rubbayat al-Khayyam" as a: کاربست نظریه¬ی کارمن والرو گارسس در نقد ترجمه¬ی ادبی (مورد مطالعه: تعریب صالح الجعفری از رباعیات خیام)
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There is a mutual relationship between the form of a text and its meaning so as separating these two or devaluating the role of one of them leads to the absence of the value therein. Thus, a translation is important as to how it relates the details of a text. That is, the text has special features which go beyond form, and these set out its distinctiveness. Here, we tackle Saleh al-Jafari's Arabic translation of  "Rubbayat al-Khayyam" of Naysapour descriptively and analytically by depending on extracts from the original text. This translation is evaluated on the basis of Spanish critic Maria Carmen Valero Garces. Herein, we discuss the effectiveness of this theory in the criticism of literary texts. It has been concluded that al-Jafari's translation involved linguistic, semantic, grammatical, discoursal, and stylistic errors. And, as a further conclusion, Garces' theory should be restricted to the evaluation of translation of prose, not poetry.

چکیده

    در هر متن ادبی، تعامل پایدار و دو سویه­ای میان صورت و معنی اثر برقرار است، به گونه­ای که جداسازی این دو مؤلفه از یکدیگر و نادیده انگاشتن یکی از آنها، از ارزش و اهمیت متن می­کاهد. به طبع ترجمه این آثار هم ظرافت­ها و دقایق خاصی دارد و به توجه و اهتمام ویژه­ای نیاز است. به عبارت دیگر متن ادبي، صرف نظر از اولويت دادن به شكل، دارایی ويژگي­های ديگری نيز هست كه به آن هويتی خاص می­بخشد. در این پژوهش کتاب رباعیات الخیام که ترجمه صالح الجعفری از رباعیات شاعر بزرگ ایران خیام نیشابوری است، از منظر مطالعات توصیفی فرایند- مدار ترجمه  و با تکیه بر نظریه نقد ترجمه خانم ماریا کارمن والرو گارسس بررسی شده است. این شیوه به فرایند ترجمه یا خود عمل ترجمه می­پردازد. نقد وبررسی این ترجمه نشان داد برای تطبیق کامل این نظریه بر آثار ادبی منظوم و منثور- همان­گونه که از نام این نظریه پیداست- دو راه وجود دارد؛ یا برخی از شاخص­های این نظریه چون ترجمه تحت­اللفظی و حفظ ساختارهای نوعی زبان مقصد باید برای تطبیق بر متون منظوم، تغییر داده شوند و یا عنوان نظریه باید از ارزیابی آثار ادبی به ارزیابی متون منثور ادبی تغییر داده شود تا بتوان گفت تمام معیارهای ارائه شده در این نظریه قابلیت اجرا دارند و تکنیک­های مثبت و منفی و خنثی اعلام شده از سوی نویسنده، درست و بجا هستند.

      

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Publication Date
Sun Oct 01 2023
Journal Name
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Date Palm Fibre Waste Exploitation for the Adsorption of Congo Redis Dye via Batch and Continuous Modes
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Tue Jun 30 2020
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Publication Date
Tue Oct 06 2020
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Distinctive Voice Features of Al Qalqala Sounds and their Expressive Values in the Holy Qur’an
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Wed Sep 30 2020
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The Breadth in the meaning of the "from Surah Maryam as a model.
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Prepositions have a key function, which is to associate parts of a sentence, called letters In addition, it adds the meanings of the verbs to the names, ie reached by them, and called by the coffin characters Qualities..

          I chose to search for the meaning of the preposition "from" in Surat Maryam to know its meanings in terms of originality and expansion, so the title of the research (the meanings of preposition "from" in terms of originality and expansion in Surat Maryam model(

 

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Sat Feb 02 2019
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Poetic walls in Al-Hamraa palace -Analytical study-: Poetic walls in Al-Hamraa palace -Analytical study-
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Al-Hamraa palace considers one of the most important urban traces
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Zumrek)were graved on the palaces doors ,halls, and lion cages with all the
proud and dignity those poems contain.
This search identifies this palace first, then studies the contents of the
poems on Walls ,then the Urban features, and description of the palace sites
,buildings materials ,pillars ,decorations, and the geometrical
Vocabularies in the poems such as spaces , direction ,distance ,and
height.
Then the search describes the technical engineering of words
coordination, the

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Publication Date
Fri Jun 01 2018
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Journal Of The College Of Languages (jcl)
L’imaginaire de l’épidémie dans La Peste d’Albert Camus et Le Choléra de Nazik al-Malaika The Imagination of Epidemic in Alber Kamo's Novel " Plague" and Nazik Al-Malaekah's poem "Cholera"
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The present study deals with the story of Epidemic in two literary works issued in the same year (1947). One of them is a novel titled "Plague" written by the French writer Alber Kamo, the second is a poem of the Iraqi poetess Nazik Al-Malaekah. The research reflects a contrastive study of the war vision in the two works as both writers used science to serve literature by using Epidemic as a metaphor to refer to the dangers that the societies faced.

The problem of the present research lies in answering the question about the reason that makes the two writers use metaphor while narrating the issues of the society instead of mentioning them directly and illuminate what implications do the narrative style of Epidemic story have and

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