Nous tenterons dans ce travail de proposer une des lectures possibles de
l’oeuvre camusienne, en l’occurrence La peste. Il s’agit, pour nous, de lire ce roman
sur une portée idéologique. Et ce qui justifie notre tentative, c’est Camus lui-même
qui voudrait qu’on lise son roman " sur plusieurs portées " lorsqu’il déclare : « La
peste, dont j’ai voulu qu’elle se lise sur plusieurs portées, a cependant comme
contenu évident la lutte de la résistance européenne contre le Nazisme»1.
1 .CAMUS (Albert),"Lettre à Roland Barthes sur La peste", L’oeuvre complète, Vol.I, La Pléiade, Ed.Gallimard,
Paris, 1965. p. 1928.
Parmi toute l’oeuvre camusienne, nous choisissons La peste parce qu’elle
semblerait comme un des textes camusiens où toute une culture européenne a eu
des raisons de s’y reconnaître. Cette reconnaissance s’est traduite par l’attribution
du " Prix des Critiques ", ce qui lui a assuré un succès immédiat et une notoriété
universelle .C’est Jean-Paul Sartre, peut-être, qui formule dans les termes les plus
aigus, cette reconnaissance : « quoi qu’il eût pu faire ou décider par la suite,
Camus n’eût jamais cesser d’être une des forces principales de notre champ
culturel, ni de représenter à sa manière l’histoire de la France et de ce siècle.»2
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Resumen:
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Nathaniel Hawthorne is famous for his psychological and moral themes. He is also famous for using symbolism in presenting his poignant themes of sin and its consequences. This research paper studies the use of symbols in Hawthorne's The House of Seven gables as an example of his general use of symbolism in his novels. The general pattern of Hawthorne's symbolism is that he presents one major symbol that embodies the main idea, and supports it with a number of minor symbols that develop and elucidate it. In The House of the Seven Gables, the major symbol is the house itself, which stands for corruption, evil, and the injustice of the past. This symbol is supported by such secondary symbols as the heart, the fountain, the
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