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"המימד הדתי בסיפור העברי המודרני" "מחקר לשוני ספרותי"Religious Dimension in Modern Hebrew Story
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תקציר :

 המחקר הזה הוא ניסיון לשפוך אור על נושא מרכזי וחשוב בחייהם של היהודים, "הממד הדתי" אצל היהודים, מחקרי הנקרא "הממד הדתי בסיפור העברי המודרני" גם מתייחס להשפעת התרבות הדתית של המספר והחוג המשפחתי שחי בו, ואיך שיקף המספר את כל הדברים האלה ביצירותיו הסיפורית .

המספר בוחר במילים ובמונחים בעלי משמעויות דתיות או מביא את הסיפור הזה אשר קרוב אל נושא הסיפור ההולך באותה מגמה .גם כן השפעת התיאולגיה  על המספר ממדים דתיות.יש להעיר גם כן שהתכוונו במשמעות הדתית הזו שהמספר השתמש בה בשיטה דתית.

הרקע הדתי של המספר גם ישפיע עליו בכלל ,ובפרט בספרות העברית, משום שהתורה ,התלמוד,והרעיונות הציוניים הם אבן פינה לספרות העברית והחשיבות הצד הדתי בספרות העברית בולטת בגלל שהגורם היסודי ששמר ליהודים המפוזרים בארץ את מציאותם והדגיש אחדותם הוא השתיכותם לאמונתם וללשונם העברית1 .

המחקר הזה כולל הקדמה דברתי בו על "המימד הדתי בסיפור העברי הקצר" ואחרי כן הפרק היחיד והיסודי במחקר שהתייחסתי בו על חמשה סיפורים מקיפים את המימד הדתי וילדותם של חמשה מהמספרים והם יהודה בורלא וסיפורו "זהב" , דוד פרישמן וסיפורו "שלושה שאכלו", שלום עליכם וסיפורו "ירק לשבועות", יהודה שטיינברג וסיפורו "בדידות" . ולבסוף זאב פיארברג וסיפורו "לאן".

Abstract

     The religious dimension means the effect of the Jewish doctrine (Torah and Talmud) in the writer, and the reflection thereof on the community and the writer. The more the effect in the community, the more the individuals are to become religious and firm stand for their Jewish teachings.

My paper, which is entitled "Religious Dimension in Modern Hebrew Story: A Stylistic study" tackles the impact of the writer's religious culture and family environment where he lived, and the reflection thereof, on his writings and stories.

The paper includes an introduction where a condensed statement is given of the religious dimension in the Hebrew story and its most well-known writers. Then, a short statement of the writer's  biographyand language style. And later, the topic of the current paper which involved four stories for four writers: Yehuda Borla, David freshman, ShalumAlaikaym, and Steinburg. Lastly, I talked about the linguistic phenomena for each writer, and came out with a number of  conclusions that I have arrived at.

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Ornamentation and Modern Architecture in Iraq
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Despite the history of Baghdad city extends into a long history, most of the contemporary buildings of Baghdad have been shaped in the era of modernity. Furthermore, most of the buildings of modernity in Baghdad are types of modernity buildings in Iraq as a whole, and due to all the joints of change and development are taking place in Iraq starts from Baghdad. Accordingly, all selected buildings, which would be presented as case studies of modernity will be exclusively in Baghdad. Although the importance of this significant modernist product, which represents the identity of Baghdad, which should be preserved by the renewal and preservation policies, the problem of research was emerged as follow: new fin

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Metrical Phonology in Modern Arabic Poetry
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One of the main aims of Metrical Phonology Theory (MTT) is to provide the stress of poetry on the syllable, the foot, and the phonological word levels. Analyzing poetry embodies one of the most prominent and controversial metrical issues as the subsumed number and types of syllables, feet, and meters are balanced compared to other literary texts. The MTT saw the light during the late seventies (1975) and (1977) by Liberman and Prince, who produced it as part of non-linear phonology. Its roots originated in prosody, which studies poetic meter and versification. The basis of the metrical analysis is the prosodic analysis developed in London by Firth and his students in 1950. This study aims to identify the values of five metri

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Metrical Phonology in Modern Arabic Poetry
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Providing stress of poetry on the syllable-, the foot-, and the phonological word- levels is one of the essential objectives of Metrical Phonology Theory. The subsumed number and types of syllables, feet, and meters are steady in poetry compared to other literary texts that is why its analysis demonstrates one of the most outstanding and debatable metrical issues. The roots of Metrical Phonology Theory are derived from prosody which studies poetic meters and versification. In Arabic, the starting point of metrical analysis is prosodic analysis which can be attributed to يديهارفلا in the second half of the eighth century (A.D.). This study aims at pinpointing the values of two metrical parameters in modern Arabic poetry. To

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A Stylistic Study of Cohesion in Relation to Narrative Techniques in Religious Discourse
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