המחקר הזה שופך אור על הנטוריליזם שהופיע בשנות ה- 60 במאה התשע עשרה כהמשיך לריאליזם וביטוי לתחושה בתנאים היסטוריים והחברתיים המורכבים ביותר,שידעו חברות במערב אירופה. נטורי ליזם היא דוקטרינה ספרותית בעלת סגנון אמנותי הנגזר מריאליזם אבל היא לשאת איתו את האופי הפילוסופי. לפיכך אנו יכולים להבין שהנטוריליזם היא כוחות חיצוניים וחברתיים המעכבים את חירות האדם,בניגוד לכוחות הגנטיים תת הכרתי שקובעים אחריות מוסרית ורצ

הקדמה

המילה היא יחידה בסיסית בשפה המתאפיינת בכך שיש לה משמעות ייחודית וביטוי פונטי (בשפה מדוברת), גרפי (בכתיבה) או מרחבי (בשפת סימנים. ובעיקר המונח מילה מתייחס לשפות טבעיות או לשפות מתוכננות

    אורי-צבי גרינברג, אחד המשוררים היהודים הבולטים במאה ה-20, ולפי מבקרים רבים, היה גרינברג מהמשוררים החלוצים בתקופה שמלאה בחדשנות ובתנודת האירועים הפוליטיים והביטחוניים, באירופה ובמזרח התיכון. גרינברג יליד גליציה ב-1894, גדל במשפחה חסידית, הוא הגר פלסטינה ב-1923, ומשנה ההיא גרינברג נצל את עצמו לעבודה הספרותית והפוליטית ביחד. הוא תרם להקמתם של כתבי-עת והעתונים וכתב יצירות ספרותיות רבות, רובן היו שירים בעלי

A character is one of the most important pillars of narrative production. Most critics believe that a character is the focus of events.

   Jacob Steinberg, a Jewish writer who is Ukrainian by origin, wrote many stories, most of which spoke about the lives of Jews in the diaspora, especially in Ukraine. The environment there has been reflected in his stories.

    Steinberg focused on the role of characters in shaping these productions.

   In this study, we discuss the conflict of characters in Steinberg's stories. This conflict is characterized by different trends and goals. There is a conflict with the environment, a conflict with society, a conflict with the self,

This paper tackles tragedy and grief in the Hebrew poetry of the Middle Ages, as being topics which was transferred to it from Arabic poetry at that time. This came as a result of Hebrew poets quoting images from, and adopting the form and content of the Arabic poem. So, this topic was a prominent feature in the Hebrew poetry of the middle ages. The Hebrew poets focused upon this topic along three trends: poems of lamentation, whether being what are called national lamentation where poets expressed their feelings and grieves because of their remoteness and longing to their homeland, which is Palestine or the sacred land, as they claim; here, Zionist trends were apparent in many poems lamenting Zion and other cities. The other type of poe

Sami Michael and Eli Amir - two Israeli writers born in Iraq and of the same generation (Sami Makhail was born in Baghdad in 1926 and Eli Amir in 1937). They wrote in their novels, among other things, about Orientalism , love and femininity. They both lived wild, extroverted lives. They did not shy away from experiencing anything new that came their way, rebelled against conventions and acted provocatively; they enjoyed the shock and amazement that evoked around them. While trying to find their place in different family settings, they chose to present two Arab Christian heroines. The narrator in Jasmine is the speaker Noori-Eli himself. While the narrator of “Trumpet in the Wadi” is Huda the heroine herself. Both ar

المستخلص    يوسف حاييم برينر الأديب اليهودي من افراد الهجرة اليهودية الثانية الى فلسطين, أغنى الأدب العبري بالكثير من النتاجات التي عالجت مواضيع مهمة في المجتمع اليهودي في فلسطين. روايته (منذ البداية) والتي صدرت بعد وفاته, عالجت مواضيع مجتمعية مهمة تخص اليهود المهاجرين في موجة الهجرة الثانية. وكانت تلك المواضيع تعنى بمعاناتهم وعلاقاتهم فيما بينهم. كذلك ركز برينر في روايته هذه على أستخدام الأسماء التق

Yehuda Steinberg is a Russian writer who drew his culture and education from Eastern Europe's neighborhood and village atmosphere, especially in Russia. He spent his life traveling between the forests and mountains of Besravia, Where the scenic landscape affected him greatly. It is evident clearly in most of his stories when he describes the mountain, alleys, lake, and forest. Most readers think for the first time that these stories are nothing but programs to describe nature. Steinberg attempted to link the surroundings with his political and literary tendency. Even though he had never been to Palestine, it was observed that he glorified Palestine in some of the chapters and paragraphs of his stories. It was a predominant phenomeno

It is very known  how great is the  role of the Jewish writers in the system of the Zionist movement. The movement relied on writers and writers to carry out their programs, especially those pertaining to the creation of a "national homeland" for Jews. Most Jewish writers sang of  Palestine even though they were not born there.

    On such a  basis, we have followed closely the writings of writers, critics and others by the end of the nineteenth century and the beginning of the twentieth century. We found that these writings are based on one common question: What is the fate of the Jewish people?

    Most of these writings were accompanied by Theodor Herzl's proj