This study sheds light on the structure of the phoneme composition of the verses describing the servants of the Most Merciful in Surat Al-Furqan, and on how its silences, voices, and syllables are distributed, questioning and talking to them about their condition, their aesthetics, and the accuracy of Quranic employment for them, stemming from the presence of a strong, inseparable bond, and a close relationship between the voice and meaning As (i.e. the voice) is the nerve of speech, forming the basic building blocks of speech through synergy of syllables and syllables with each other, creating an audio context with a rhythm that is parallel, expressive, and in harmony with the content, as the vocal context and the fabric based on it are involved, and it is organized into a range of contextual clues in Bill removing the veil and revealing the semantic content of the text and its shadows, images and gestures, to reach the study at the end of its journey in the generous verses of the verses mentioned at the end of Surah Al-Furqan (verse 63-77) to the results of aesthetic and stylistic aesthetics in the Holy Qur’an, and despite the existence of many premises and axes However, the field of study allowed only to focus on three axes: the structure of the phonemic formation according to the distribution of silos and sounds, the sectional structure of the Holy Text and the indications that emanate from it, the structure of the written drawing) leaving the starting points and other axes such as the phonetic composition of the verses describing the servants of God based on Based on voice identification Almassahbat and verbal performance, such as stress suspension and toning and other audio Almassahbat another study in the coming days and Mqublha God willing, if the rest of the age.
Receipt date:3/13/2021 accepted date:5/26/2021 Publication date:12/31/2021
This work is licensed under a Creative Commons Attribution 4.0 International License.
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The present research deals with studying the formal variations for the Quranic calligraphy at the beginning of Islam , as being regarded from the original Arabic calligraphies which were developed later till they became as they are now, where the calligraphers in pushing for simulating these original calligraphies and knowing the methods of their writing by the calligraphers at that time.That helped in enriching and developing the aesthetic and designing valuesFor these calligraphies, as being calligraphic achievements represent transmission resulted from the objective, aesthetic and indicative vision in producing the verses according to a certain form. This has a clear impact in tendency to the technical, aesthetic and expressing develo
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The first chapter of the methodological framework deals with the problem of research, importance, objective, limits, and then terminology and its definition, and then the secon
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one or more of the following parasites, Haemoproteus baghdadensis, H. gallinulae
(Protozoa), Cyclocoelum mutbile (Trematoda), Diorchis inflata, Ligula intestinalis (Cestoda),
Amidostomum fulicae and Porrcaecum sp. (Nematoda) .The stomach analysis revealed that
the bird is omnivorous in feeding including wid range of invertebrate animals with some plant
origin food items.
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