When we try to navigate the experiment in search of the repressed and to find the dream of creativity by changing the modularity of the presentation, and the relationship of the characters with the rest of the elements according to a visual vision that reflects the product of the presentation system through the formation of visions and ideas within the textual structure.
We find that the expression of the theatrical act may need to exclude narrative dialogues and turn them into a tangible visual language. Physical and visual expression, and movement review, thus producing a “picture language” through which it is possible to form a new vision, and this is called (image theater), which translates the language of dialogue through lighting, music and costumes, as well as the movement of actors, in light of that a group of questions was concluded about the ability of this Theater on balance and the combination of image and sound? And the extent of his ability to activate the mechanism of semantic transformations that reach the modern recipient? Can he also destroy the traditional laws of theater that depend on the language of mathematical equations, with the intention of navigating the world of dream and fantasy? In light of this, the researcher established the title of her research tagged (the manifestations of the image theater in the performances of the postmodern theater).
Methodological framework: It included the research problem, its importance, its objectives, and the definition of terminology.
Theoretical framework: It was divided into two sections that came as follows: The first topic: the postmodern theater and the problematic of the formal structure between the director and the text, and the second topic: the theater of the image between philosophy and formation. After that, the researcher reached the indicators of the theoretical framework.
Research procedures: It included the research community, and the research sample was a play (Macbeth) written by: Shakespeare
Directed by: Salah Al-Qasab) according to the indicators that the researcher got out of the theoretical framework.
After analyzing the sample, the researcher reached a number of results and conclusions, including:
1. The Iraqi director "Salah Al-Qasab" is one of the most important Iraqi directors who worked on the establishment of Al-Sura Theater, and supported the semiotic theater on the Arab and local levels.
2. The contemporary theater director no longer depends in the essence of his work on what is found in the theatrical text in terms of relying on previous experiences.
The research concluded with recommendations and sources
The aim of the research is to explain the nature of the relationship between the dimensions of the strategic recovery of the service represented by (compensation, speed of response, apology, initiative (defining the problem) and the strategic goals of the company represented in (profitability, growth, community service, employee satisfaction) in the National Insurance Company, it has been approved The questionnaire as a tool to collect data and information from the sample of (58) who are in (department manager, M. department director, division official, unit official) and the statistical program (spss) was used in calculating (arithmetic mean, standard deviation, coefficient of variation, coefficient of Correlation, t-test, varia
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The fact of having Journalism being open to people from different orientations professions, working as journalists requiring protection just to spread corruption, is one of the biggest threats faced by journalism.
Journalists noticed the spread of unprincipled journalists with no journalistic ethics amongst them, they tried to protect their profession from these corrupt outsiders who might annihilate the mighty of journalism. The principles of the journalism profession known as journalistic ethics, are one the most important formulations of the law concluded by the journalists and those concerned by the the profession, they were then published in public in order to prove their professionalism, especially for those who don’t und
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This paper depicts J.D. Salinger's (1919-2010) novel The Catcher in the Rye where its protagonist, Holden Caulfield, is an adolescent who feels there is no linkage or connection with the traits of his society. He is a teenager who
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