The research studies the synthetic sculpture techniques in the outputs of the students of the department of art education in terms of the shape, texture, content and technique, and employing this style by the students of the department of art education on the college of fine arts, university of Diyala. The research consists of four chapters: the first chapter: the research problem summarized by looking for the synthetic sculpture and its importance in the treatment the industrial wastes in our social life, according to modern synthetic techniques, in the American and European sculpture. This technique has been employed in more than one contemporary artistic direction and style.
This study is considered important for the students of the college of fine arts and the researchers and those concerned. It is an introductory source of a group of sculpture techniques in the world and has a social, educational and cultural importance. The aim of the research is to identify the synthetic sculpture techniques in the outputs of the students of the college of fine arts in the university of Diyala in the period of time extending from 2017 until 2018. It consisted of synthetic sculpture techniques. The chapter also consisted of identifying the terms of the research. The second chapter consists of two sections: the first section dealt with the techniques of the synthetic sculpture and the artistic direction s, and the raw material used in the contemporary artistic achievement. As for the second section, it includes the artistic movements after the middle of the twentieth century, and the section focused on the contemporary styles that employed the synthesis technique. The chapter ends with the indicators that can be relied on as a tool for analyzing the works. As for the third chapter: It consists of the research procedures, the research community, methodology, samples, research tool, analysis of the sample and justifications for the choice of (3) samples. These samples have been chosen according to their representation of the research community and its temporal limits, through which the research objective can be reached at after the analysis. The researcher arrived at some results and conclusions including:
1- The shapes of the works differed between the elongation of the lines as in sample (1, 2) or the shape takes semi-complex and horizontal lines as in sample (3) which confirms the variation of axes adopted by the students.
2- The works in the samples (2, 3) appear in the synthetic style due to the use of more than one raw material, while the sample (1) appears in the structural style depending on one material.
Throughout history, artists have played many important roles in society.
Generally speaking, the role of the artist is defined by the society he is part of.
Indeed, there are as many ideas as to the role of the artist and, ultimately the purpose
of art in society, as there are types of art. This is, as a matter of fact, neither a new
question- the dialogue has been present within art for centuries- nor probably one
that will ever fully be answered.
Tom Stoppard came to prominence in the mid-sixties, when art and politics
were closely linked, and theatre sought to change the world. Stoppard would have
none of that: his work has no overt message, no political program. In fact,
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Tow instruments have been us
The current research seeks to identify mono-multi Vision and its relation to the psychological rebellion and personality traits of university students. To achieve this aim, the researcher has followed all the procedures of the descriptive correlational approach, as it is the closest approach to the objectives of the current research. The researcher has determined his research community for Baghdad University students for the academic year 2019-2020. As for the research sample, it was chosen by the random stratified method with a sample of (500) male and female students. In order to collect data from the research sample, the researcher adopted a mono-multi-dimensional scale
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