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Semiotics of Musical Sign in Iraqi Pantomime Show (Ahriman) as a Model: علي عدي صاحب-شيماء حسين طاهر
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The musical sign was associated with the first appearances of acting that are based on human gestures and expressive and silent movements, and they contributed in accentuating and clarifying these gestures and explain their meanings and indications, and they remained with them until these gestures turned into artistic theatrical shows so that the musical sign would have many functions and constitute the main pillars for this kind of show.
The musical sign is a language not much different than the human language in the semiotic analysis. There has been an increased interest in it and its use in the mime shows by the graduates who realized its necessity and significance in the pantomime show intellectually, artistically and aesthetically. The first chapter included (the theoretical framework) which consists of the research problem represented by the following question: (Does the musical sign in the pantomime show have different indications and functions in other theatrical shows?). it also included the research importance in highlighting the musical sign, as the mime actor performance is a sign performance that excludes the verbal sign from the process of conveying the indication to the recipient. The research objective is limited to (semiotics of the musical sign in Iraqi pantomime show (Ahriman) as a model. This chapter consists of research limits (temporally determined by 2014) and spatially by the shows presented in Baghdad, Ali Deayym's show, and then defining the terms of the research and concluded with procedural definitions.
The second chapter consisted of (the theoretical framework and the previous studies). The first section is (the concept of the theatrical sign). The second section addresses the musical sign and its performative features in the pantomime show. The second chapter concluded with the indicators that resulted from the theoretical framework. The third chapter is dedicated for (the research procedures) and the indicators that resulted from the theoretical framework as it is a tool for the analysis within an (analytical) descriptive method and watching the shows and photographs, so the show (Ahriman) directed by (Ali Deayym ) in (2014) in an intentional method for certain reasons justified by the researchers to keep pace with the sections and to achieve the study objectives and to resolve its problem. The fourth chapter ended with a number of results including:

1- The musical sign created the rhythm of the show.
2- The musical sign declares the dramatic transformation and transition.
Then the research ends with an abstract.

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Publication Date
Sun Jun 05 2016
Journal Name
Baghdad Science Journal
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A new series polymers was synthesized from reaction starting material Bisacodyl A or [(2-Pyridinylmethylene) di-4, 1-phenylene di acetate] with hydrogen bromide, then the products were polymerized by addition polymerization from used adipoyl and glutaroyl chloride. The structure of these compounds was characterized by FT-IR, melting points, TLC, X-Ray, DSC and 1H-NMR for starting material. These compounds were also screened for their antibacterial activists?

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Publication Date
Thu Dec 01 2016
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Bulletin Of The Iraq Natural History Museum (p-issn: 1017-8678 , E-issn: 2311-9799)
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Wed Jan 01 2020
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The increasing requirement and use of dental implant treatments has rendered dental implantology indispensable in dentistry. The aim of this study is to determine the optimum concentration of calcium silicate to be incorporated into a polyetherketoneketone (PEKK) matrix used as an implant material to enhance the bioactivity and mechanical properties of the composite compared with unmodified PEKK. In this study, different weight percentage (wt%) of micro-calcium silicate (m-CS) is incorporated into PEKK with ethanol as a binder. Subsequently, the mixture is dried in a forced convection oven at 120°C and poured into customized molds to fabricate a bioactive composite via compression molding (310°C, 15 MPa, and 20 min holding time

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Publication Date
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Mon Apr 20 2020
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Thu Jul 31 2025
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The concept of Assemblage appeared obviously in Postdramatic works, where a character or a text may stand as an assemblage of potentialities in the sense that it signifies unidentified subjectivity. Assemblages are constituted essentially of heterogeneous elements yet fused without specific demarcations. In order to enjoy the desired productivity at a "smooth pace," the regularities of political and societal institutionalization are disseminated. To achieve this dissemination, Deleuze-Guattari suggest an unsatiated platform of a "Body without Organs' (BwO), where desire escapes identification. Martin Crimp (b. 1956) defines his off-stage characters in Attempts on Her Life (1997), Anne, or whatever the name is, as a 'BwO', upon which

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