The history of civilizations in the past centuries is a rich source for creativity and inspiration in all areas of art and design, especially in the field of fashion design. Many designers draw their designs from previous eras; which is the aim of this research as we propose designing fashion the mannequin for the category of young girls aged between (10-18). The costumes were inspired by Victorian women's costumes during the time period (1860-1890) and were subdivided into three time periods (1860-1870), (1870-1880), (1880-1890) forming three designs for each time period , analyzing the nine designs to achieve the creative , functional and aesthetic aspects that are appropriate for the age group (research sample). The importance of the research lies in it being an analytical historical study. The implementation of the designs depends on the method of formation on the mannequin of the young age group, which makes it different from studies that always rely on the formation women mannequin. The pieces were referred by the faculty members of Umm Al-Qura University, the Department of Fashion Design. The results revealed that there are statistically significant differences between the nine designs in terms of the design elements, basis and principles of the design, functional, creative and aesthetic sides. Design number 4 met the design requirements with a percentage of 44.275; design number 2 met the principles of the design scoring 39.437%; design number 9 scored 53.037% in regards to practicality; design number 4 obtained 34.125 on the aspect of creativity and design number 9 accumulated 58.8% on the aesthetic side.
The paper concludes with recommendations to conduct further studies that link the Draping method on the mannequins and the field of fashion history in different civilizations. Attention to the Draping of fashion on the mannequins for the category of young girls
This study evaluates the flexural behavior of ultra-thin (50 mm) one‑way reinforced‑concrete (RC) slabs retrofitted with near‑surface mounted (NSM) carbon‑fiber‑reinforced polymer (CFRP) rods under quasi‑static loading. T300‑grade CFRP rods (≈4 mm diameter) were bonded in pre‑cut 7 mm × 7 mm grooves using a two‑part epoxy. As a proof-of-concept experimental baseline, three simply‑supported specimens (1000 mm × 500 mm × 50 mm) were tested in a six‑point bending configuration (four applied loads + two reactions): two conventional controls and one strengthened slab. A load‑control rate of ~15 kN/min was applied; the controls were cycled twice and the strengthened slab four times. Relative to the average of
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... Show MoreNearly a century and a half has passed since Sarah Orne Jewett published her much anthologized short story “A White Heron” (1886), but commentators on the tale missed one of the most important points in the text. It is the story’s similarity to the traditional Euro-centric fairy tale of “Little Red Riding Hood”. As an author, writing at the end of the ninetieth century, a time that witnessed the demise of the Romantic movement in America and the beginning of the age of Realism, Jewett did not romanticize her characters, despite the idyllic landscape in which “A White Heron” is set. Her story can be analyzed as a text that aims at disseminating ecological awareness among her young readers. This study focuses on Jewett
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