Longer Kurdish poetry translator important tributary of the tributaries of the Iraqi culture contemporary , and a wealth of knowledge rich experiences of an important segment of the Iraqi people , nicked culturally with the languages and cultures of the neighboring nations have , however, much of this potery under depends on the effect of the Arab form and complex , but suffered marginalization and loss as a result of repression by the governments of the country by successive throughout history , and tried to search that offers a vision on the theme of the place and its implications in the Kurdish poetry translator, through the election of a collection of poems and chisels, vertical than that of quantum poetic enormous , but thenature of the trends of this hair impact in addressing the issue of the place or used as a tool technical component , or a theme , or memory , or a picture , or a symbol vanishing l stage in traditional Kurdish poetry , and began in vanishing stage in modern poetry in different movements and trends , experiences and functional capillary we shorting findings Find it in the following :
1. Place in the faded Iraqi Kurdish poetry translator in its traditional , especially in Sufi poetry , because it relates to the themes of divinity and worship and autism , which was louder on the place .
2. Is a major theme in the place of Iraqi Kurdish poetry translator, as it was clearly shown to conscience and stationed in Kurdish , as well as the persistence of memory and described in texts and stories .
3. Use the Kurdish poetry place aesthetic dimension and the basis for the formation of the glamorous image that employed the imagination and the capacity to take advantage of the nature of the Kurdistan beautiful spring and winter.
4. Place as regards the subject of identity and an element of excellence historical, social, and cultural.
5. The place was in most Kurdish poetry translator equivalent substantive political issue related to human beings and the existence and dignity and freedom , it has been described the loss of the place, or search for him , is in search of a home or for self or for freedom.
6. Place and alienation is capules among the expatriate Kurdish poetry , Tdmanma connotations of nostalgia and longing and desire to return to the embrace of the beloved .
7. Employed Kurdish poeryt place a symbol creative , and invested historical knowledge in Mesopotamia ; Because of the Kurdish people is about the first configuration to that civilization , and through the ages successive , as well as the use of symbols linked to the place to indicate the identity of the place , including ( burne ) and ( Walnut ) .
8. Income place in the context of attempts to experimentation in the movement of Kurdish poetry , for example the formation of the poem mock Eiffel Tower and Erbil.
This paper deals with aesthetic and a sitting position in contemporary Iraqi sculpture and studied this situation, an analytical study to reveal how to employ them in aesthetically pleasing work of art has been research in a sitting position to a lack of technical library for such research, this study includes four chaptersChapter I contains the research problem and its importance in terms of the released address and its objectives in the detection of this situation, how to employ the HDL research is to detect how the aesthetic of the Employment sit position and limits Find business is bronze and stone-dimensional exclusively carried out from 2000 to 2009 AD.Chapter II included the Framework theory and previous studies and with three Inv
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The problem of the research indicates that there is a clear lack of understanding of what is meant by the variables studied in the sample
... Show More1.Chapter I (systematic framework) which includes: the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2.Chapter II - the theoretical framework: It consists of three sections are:•The first topic:- the concept of references and experimentation in the theater. •The second topic:- the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. 3.Chapter III - Actions -
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As regards relations among people, the research elucidates how Duffy’s strained characters abandon real life and reframe an eccentric way of living, while respecting faith, wherein Duffy notices that religious rituals confine the intellect, she r
The features of the actor's performance in the ritual theater are of great importance and chief in theatrical work since the first emergence of the theater, as the features of the performance were embodied in all Iraqi theatrical performances, but they took personal privacy in some ritual performances because of their differences and similarities between the ritual theatrical performance and the ritual show Al-Khalis, who wanted the researcher to know the similarities and differences in the features of the ritual performance and in the theatrical performance, despite the many transformations that occurred in the theater and affected the features of the performance, but it remained an important and attractive link between the recipient, t
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The logistic regression model regarded as the important regression Models ,where of the most interesting subjects in recent studies due to taking character more advanced in the process of statistical analysis .
The ordinary estimating methods is failed in dealing with data that consist of the presence of outlier values and hence on the absence of such that have undesirable effect on the result. &nbs
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Action films employ many artistic and literary elements that contribute greatly to building the general meaning of the film and push the wheel of the film forward. The element of mystery and suspense is used as two basic elements in action films. The cinematic language in action films depends on global coding, which is not models as it might be. It is based on logic, rather as units that aspire to morphology and not their homogeneity as the physical sense, but as the logical harmony of interpretive authority and enlightenment and in action films as a field of communication and a field in its origin in which the signifier contrasts with the perceptions of the meaning and in it takes a certain number of units preventing each other and thro
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