ملخص البحث: تناول البحث الحالي:(أنظمة التكوين الجمالي للكتابات والنصوص في النحت العربي المعاصر)، عددا من الأفكار الأساسية التي تمثل المادة النظرية لتفسير ظاهرة الكتابة في الفن بشكل عام وفي فن النحت بشكل خاص، ولكشف أنظمة التكوين الجمالي وأنواعها المتعددة من خلال فحص بعض النصوص البصرية للفنانين العرب المعاصرين، فقد جاء هذا البحث في أربعة فصول. خصص الفصل الأول: الإطار المنهجي للبحث لبيان مشكلة البحث، وأهميته، وهدف البحث، ثم حدود البحث الموضوعية والمكانية والزمانية، التي تحددت بالمنحوتات ذات الأشكال الحروفية المنفذة في المنطقة العربية، ثم تحديد المصطلحات. أما الفصل الثاني: الإطار النظري للبحث فقد شمل ثلاثة مباحث خصص الأول منها والموسوم: المفهوم الجمالي للكتابة، لدراسة مفهوم الكتابة من كافة جوانبه النظرية، أما المبحث الثاني الموسوم: أنظمة التكوين الجمالي، فقد تم دراسة أربعة نقاط فيه وهي: أولاً: التكوين الجمالي للكتابة في المنحوتات، ثانياً: حركة عناصر شكل الكتابة في النحت، ثالثاً: التكوين الجمالي للفضاء الخارجي والداخلي، رابعاً: التكوين الجمالي للاختزال. أما المبحث الثالث الموسوم: أنواع التكوينات الجمالية في فن النحت، فقد تم دراسة أربعة نقاط وهي: 1.التكوين الجمالي الدائري والكروي، 2.التكوين الجمالي الأفقي والمستعرض، 3.التكوين الجمالي الطولي والعمودي، 4.التكوين الجمالي الهرمي والمثلث. أما الفصل الثالث: الإطار الإجرائي للبحث فقد شمل على مجتمع البحث وعينته المتكونة من ثلاثة أعمال فنية للفنان إياد الحسيني، وتم اختيار هذه العينة بطريقة قصدية، لتمثل المجتمع الكلي، ولتحقق أهداف البحث وحدوده الموضوعية والمكانية، ثم تحليل العينة. أما الفصل الرابع: نتائج البحث فقد خصص لنتائج البحث التي توصل إليها، كما تضمن الفصل عددا من التوصيات والمقترحات.
The research aims to identify the bedroom furniture designs for children who are in ages range between (4-6) years and the rate of employing them in developing their aesthetic sense. To achieve this objective, the researchers developed the two research tools represented by a analysis-description form of bedroom furniture designs included a number of domains that were represented in the shapes, colors, and sizes of the furniture, as well as the availability of the safety factor, ease of use, cleaning and movement. As for the aesthetic sense scale included (30) paragraphs and alternatives (always, sometimes, never), they were distributed among a representative sample of (170) mothers of children were chosen randomly from (17) kindergartens
... Show MoreGlobalization as phenomena has affected all aspects of life and reflected its impacts to the Arab world politically, economically, and culturally and became a vital field that related directly to our life. This field of searching needs as many studies and Academics as for employing the means that needed to face a national challenge which targeting the Arabic man Character in its ethics and values. This very important thing needs a very important reaction to face that challenge to protect the cultural ARABIC & ISLAMIC characteristics and to take care of education in all its levels and forms as it is an invincible fort. For that, this field has become as the priority of the studying and researches if the
... Show MoreThe novels that we have addressed in the research, Including those with the ideological and political ideology, It's carry a negative image for the Kurds without any attempt to understand, empathy and the separation between politics and the people, The novels were deformation of the image, Like tongue of the former authority which speaks their ideas, Such as (Freedom heads bagged, Happy sorrows Tuesdays for Jassim Alrassif, and Under the dogs skies for Salah Salah). The rest of novels (Life is a moment for Salam Ibrahim, The country night for Jassim Halawi, The rib for Hameed Aleqabi). These are novels contained a scene carries a negative image among many other social images, some positive, and can be described as neutral novels. We can
... Show MoreThe icon and the symbol represent the constituents of the communication process, through their intellectual and philosophical concepts that have been addressed by the current research that it has touched upon their importance in conveying the design idea for the recipient and showing the specificity of each one of them in the communication process. The research problem has been limited by the following question: what are the communication roles that the symbol and the icon present for the user in designing the industrial product?
The research objective is to reveal the theoretical visualization that describes the icon and the symbol in the industrial product and its importance in the communication process through stating the of simil
The modern nation state, by virtue of its institutional nature, is divided into political and non-political institutions according to their respective jurisdictions. It is natural for non-political institutions to perform their functions under the control of the political establishment, for two reasons: first, Second: Ensuring the achievement of cooperation, harmony and integration between these different institutions in serving the stability of the society and its continuity and achieving its supreme objectives. The location of the military establishment is part of the non-political institutions of the state, since it carries out a non-political function that is based on defending the homeland against any threats that may threaten its s
... Show MoreHowever, the effects of these ideas are still evident
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This paper deals with the role of the clergy in the Church and artists in the emergence of this art, which is represented by an atmosphere of spiritual, aesthetic, artistic, technical and engineering very magnificence and is located in two Find.Chapter One: the stages of stained glass in the Middle AgesThe Architects Goths to get rid of the walls gradually, based Baloctav plane, columns and beams strengthened with the vehicle, as previously mentioned, making the building looks like a glass of excessive use of colored windows building, this art has been known to the art of stained glass And the second chapter: the stages of stained glass in the Middle Ages Department of Winston (Winston) works of stained glass since its inception in the t
... Show MoreThe research aims to monitor and analyze the visual and symbolic features, derived from the Omani heritage, and inspired by the concept of local identity, for a selection of contemporary Omani graphic art works, which represent a mixed, multi-category of research sample, comprising three levels: the works of professional Omani artists, and the works of young artists and specialized students, as well as the work of a number of active academics in the field of graphic theorizing and teaching. The sample is also divided - in terms of technical classification - into a category of works executed using traditional engraving and printing media, and a category of works executed using modern and digital graphic printing media.
Through the da