This paper deals with the use of additive discursive markers by Arab students who learn Spanish as a foreign language through brief written compositions that they carry out within the framework of the subjects taught at the University of Baghdad. The objective is to know if these Arab students, who have a B1 level of Spanish, use these linguistic elements and the problems they may face to express the cohesion of the discourse. For this study, a learning corpus of more than 3,200 words of the texts written by the students has been compiled to carry out an analysis of their use. By studying the results, we want to shed light on whether or not students use discourse markers, and what difficulties can be found both in learning and in teaching.
The works that have been analyzed are symbolic names written by Carlos Fuentes, Mexican novelist, and short-story writer, critic, and diplomat whose experimental novels gave him an international literary reputation. The study deals with the analysis of the symbolic images of the name "Malinche" that appears in todoslos gatos son pardos (1970; “All Cats Are Gray”), a drama about the Spanish conquest of Mexico with the pivotal character. And "Hydra", in la cabeza de Hidra (1978; Hydra’s Head) is a mystery story, an immersion into a corrupt political world, and an exploration of different kinds of attraction between man and who deals with the subject of the search: lost identity. Therefore, we try to answer in this study some of the que
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Estudio lexicográfico sobre la Terminología de la Planta “Maíz” en Andalucía
العدد: دراسة مقارنة بين اللغة الاسبانية والعربية.
دراسة تحليلية لترجمة المسكوكات اللغوية في الصحافة الاسبانية.
يعد شعر المنفى احد اهم روافد الادب المعاصر فهو يعكس الإبداع الشعري الحقيقي للشاعر المنفي، ويعكس في الوقت ذاته الحنين والألم الذي يعاني منه بسبب البعد عن وطنه. ومن ناحية أخرى، يصور شعر المنفى حالة المقاومة والنضال التي يختزنها الشاعر . نتناول في هذا البحث م وضوع شعر المنفى عند شاعرين منفيين لم يلتقيا في بلد واحد ولم يتبنيا ثقافة فكرية مشتركة, إلا أن الشاعرين تحملا نفس مرارة المنفى التي عبرا عنها بشكل واضح في شعر
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