ВВЕДЕНИЕ Уровневая структура языка обусловила основные направления изучения язы¬ковых единиц в соответствии с их местом в языковой стратификации. Тра-дицион¬ные подходы определялись теми особенностями языковых единиц, ко-торые укладывались в рамки описания в соотношении с единицами их класса. Однако развитие лингвистической науки, формирование современных на¬правлений и подходов к изучению языка в соотноше¬нии с человеческим факто¬ром потребовало переосмысления многих традицион¬ных характеристик тех или иных языковых единиц и выявления новых особенно¬стей в их семан-тике и функционировании. С указанных позиций может быть рассмотрено и такое яв¬ление языка, как неполнозначные глаголы. Предмет диссертационного исследования – семантика и функциони-рование неполнозначных глаголов в современном русском языке. Актуальность исследования. Анализируемые языковые явления дос-таточно полно представлены в научной литературе именно как семанти¬чески неполнозначные глаголы. Однако с точки зрения современной лин¬гвистики, декларирующей принципы функционального подхода к изучению языковых явлений и определяющей новые, антропоцен¬трические аспекты в исследова-нии семантики тех или иных явлений, непол¬нозначные глаголы еще не полу-чили всестороннего описания. На данный момент не составлен их полный перечень, не дана типологическая классификация разрядов не¬полнозначных глаголов, не рассмотрены их свой¬ства с точки зрения теории поля, тем более что полевый подход в исследованиях последнего десятилетия актуализиру-ется в плане семантики: рассмотрения тематических групп слов, их пара¬диг-матических связей и отношений. Также до сих пор полностью не выяв¬лены особенности неполнозначных глаголов, проявляющих промежу¬точный ха-рактер, то есть демонстрирующих свойства как полнозначных, так и не¬пол-нозначных глаголов. В то же время рассматриваемые явления зани¬мают зна-чительное место в языке, причем это не только новые, еще не изу¬ченные яв-ления, но и некоторая часть языковых единиц, традиционно харак¬теризуе¬мых как неполнозначные глаголы, но затрудняющих общую класси¬фикацию вследствие присущих им особенностей. Находясь в зоне, промежу¬точной между полнозначными и неполнозначными глаголами, такие эле¬менты языка не только не получили однозначной научной квалифика¬ции, но и до конца не изучены с точки зрения их семантики, характера и осо¬бен¬но¬стей выра¬жае¬мых отношений, того положения, которое они занимают в об¬щей системе единиц. Модальная специфика единиц рассматриваемых в ра¬боте видов не имеет описания в современной лингвистической литературе, вследствие чего образуется пробел как в системной характеристике модаль¬ности, так и в опи-сании текстового ее проявления.
fashion designers who have benefited greatly from the mobilization of ancient aesthetic ideas in the heritage of the people and guaranteed in their productions so that there is no change In the aesthetic value created by the designers of the research in the ancient heritage to find new signs that reflect the connection of man to the present as the aesthetic value of all the man created by the designs of fabrics and fashion through the ages The problem of research was determined in the absence of a precise understanding of the nature of classical thought in fashion and the absence of a clear perception of the sustainability of this thought in contemporary fashion. He
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The study aimed .to identify on the melody tetrachords In the Iraqi Folklore song as mall as the melody tetracords is the basic in striation song if Iraqi Folklore so the researchers prepared their researchers from four chapters. In the first chapter of the researchers theoretical framework, included the research problem, which is determined by what is the melody tetra chords in the Iraqi Folklore songs. The research time limits were specific by year (2015-2016) then the first chapter ended with the terms mentioned in the title of research. The second chapter of the theoretical framework, included two subjects the first (Iraqi Folklore song) and the second subject included (melody tetra chords) then the third chapter deals with the resea
... Show MoreThe present work focuses on examining the strategy of cognitive trips and the Arabic language teachers’ training needs of such a strategy when teaching Arabic language courses in the Saudi Arabia Kingdom. To achieve the objective of the study, and check whether this strategy is used in lesson planning, lesson teaching, or lesson assessment, a descriptive approach and a questionnaire have been adopted. The researchers used a number of statistical tools, and chose a purposive sample, which consists of (58) Arabic language teachers from Saudi Arabia Kingdom. Results have shown that the training needs of Arabic language teachers for implemining the strategy of cognitive journeys while teaching Arabic language courses came in the following
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This study aims to identify the repercussions of the Corona pandemic (Covid 19) and its impact on the educational and psychological functions of the Omani family from the point of view of a number of fathers and mothers. Drive for a group of fathers and mothers, some of whom work in the government sector and others are mothers enrolled in graduate studies programs at the university, their ages range between (30-50 years) totally (28) mothers and fathers: 22 mothers and 6 fathers. The results showed that the repercussions of the transformation of e-learning, home quarantine, social distancing, and the challenges associated with them were among the most frequent responses that posed a real challenge to the
... Show MoreI came back and made my jewelery from the first research or studies known to man, and the oldest era and confirmed the problem of searching for the links of sweets and admiration of the magnificence of the effectiveness of the search for the importance of preserving the heritage of the Iraqi civilization in its original creative aspects. Metal in Iraq, Head Costume, Neck Costume, Party Costume (Hands and Legs). The main results of the research were;
1-Contemporary folk jewelry in Iraq was characterized by design units for use.
Dependence in the feed industry in the form of laboratory mold.
Through the history of art movements, abstraction has been rotating between appearance and disappearance, mounting and stillness while its performances differed between reduction and simplification on the one hand and between the use of chromatographic and linear abstraction on the other. As a result, to what is mentioned, abstraction has appeared in many different artistic forms underlying the systematicity of the plastic art history.However, according to a contemporary point of view that comes up with the scientific revolution, the art of optical deceiving (illusion) appeared to find a hybrid art form that locates between the geometricity of abstraction and the scientific, visual and psychological foundations that are linked with the i
... Show MoreThe research entitled: (The Constructive Mutation of installation Systems in the Artworks of the artist Ali Al-Najar) has dealt with the concept of Mutation and its systematizations in installation in the artworks of (Ali Al-Najjar).
The research has four chapters: The first Chapter deals with the methodological framework represented by the basic problem of the research, that is concerned with the constructive mutation of installation systems.
The research aims at finding out the constructive mutation of installation systems in the artwork of ( Ali al-Najar). The research is limited by analyzing visual samples of (Ali Al-Najjar) artworks betwen (1967-1991)
The second chapter deals with the theoretical framework, it has five s
The research dealt with the study (interpretation of space in the art of installation), and it is located in four frameworks, the first is devoted to clarifying the research problem, its importance and the need for it, its goal, and its limits, and determining the most important terms contained therein.The research problem was determined from the question, does space embody those different and diverse materials that were formulated and installed by the artist into modern forms? Is the product of synthetic arts an appropriation of these spaces and domination of them?The problematic of interpreting space in its conceptual dimension in (synthetic) art in its multiplicity, diversity and difference, or objecting to the work of artistic system
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